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Simon Karas Simon Karas〔(Center for Research and Promotion of National Greek Music - Music, Folklore and Literature Archives of Simon and Aggeliki Karas )〕 (1905–1999) was a Greek musicologist, who specialized in Byzantine music tradition. Simon Karas studied paleography of Byzantine musical notation, was active in collecting and preserving ancient musical manuscripts,〔(Memoirs of Angelos Boudouris at Analogion.com )〕 collected performances of Greek folk songs and of Byzantine chant from different regions, in most cases writing them down in Byzantine notation, further altered and modified by him, to better match his needs.〔(An article on Simon Karas at Analogion.com )〕 He also wrote his own music, and performed himself as a chanter or singer. The figure of Simon Karas is highly controversial, and it strongly divides Byzantine music scholars and performers into two camps: one supporting, and one opposing his philosophy and his works. His opponents chief argument is that some works and musical experiments of Simon Karas are highly non-traditional, at the edge of being heretical, at least form their point of view.〔 ==Revisionism== Simon Karas proposed several revisions to the standard practice of contemporary Byzantine church singing. While these revisions were at least to some extent accepted by some groups of Byzantine chanters, they are at the same time furiously rejected by some other chanters. This practical division constitutes the main part of the controversy around Karas' name and heritage.
抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Simon Karas」の詳細全文を読む
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